They must have assumed it was one of those seventies blaxploitation flicks.
At least that's what I hope.
God knows why they sent it me otherwise.
Enjoy.
Niggas' Revenge (2001).
Dir: Dick Wadd.
Cast: Chane Adams, Bobby Blake, Chris Blake, Flex-Deon Blake, Dallas Chalmers Bud Cockerham and Eric Top Stud.
"We're gonna have a barbecue tonight...and the main course is fresh Nazi ass!" |
The small, everyday American town of Felchington is idyllic in every way; from it's picket fences, fat folk in high waist plaid trousers to it's neatly kept lawns.
But scratch the surface of any seemingly perfect place and something vile and slimy (and slightly rancid smelling) is bound to appear.
In this case it's a band of buffed up, bastard neo-nazi bad boys going by the terrifying monikers of Bud, Dallas and Chane who seem to spend their entire waking life shouting slightly sexually charged yet incredibly racist abuse at their brick shithouse of a neighbour, Mr. Robert Blake (not that one).
"Excuse me! Do you require any scissors sharpening?" |
Hurling remarks that would make the writers of Love Thy Neighbour proud it's only a matter of time before Bobby (as he likes to be called), tired of the police doing nothing takes matters into his own hand.
Alongside his massive cock.
Ringing his 'partner', Flex (who works as a baker fact fans) and his brother (not too sure if it's his real brother or a 'brother' brother, showing a slight lack of important character development methinks) Chris, Bobby only needs to say three little words to get the (mini) posse running.
And those words?
"White boy trouble!"
Can you dig it?
Indeed I can sir.
Bunnet. |
And so the fight begins as three skinny arsed white supremacists face off against three hulking, body building black blokes.
Now who do you think will win?
The clue is in the title by the way.
As the good ol' racist boys fight valiantly to protect their right to be arseholes, the gangs leader, Dallas interjects with some choice insults between his punches referring to Bobby as 'Uncle Tom', which I assume is a continuity mistake by the way, seeing as his name is Bobby and he's not an uncle.
Shame on you for such a glaring mistake Mr. Wadd.
Who's ready for a wee mooth shite-in? |
You know what they say about sticks and stones tho' and before too long Dallas is knocked to the ground, a bloodied, muddy mess.
But Bobby/Tom/whatever has a special surprise for our racist chum.
Pulling down his leather trousers whilst pulling out his frankly terrifyingly large penis, the Bobster drenches Dallas in the golden warmth of his urine.
In the mooth.
Shaking every last drop from his mammoth member, Bobby leans toward Dallas and, with a big cheesy grin on his face announces that "There's gonna be a barbeque at Twelve Oaks tonight...and the main course is Nazi ass drenched in nigga piss!"
It was at this point I began to suspect that this wasn't actually an action movie ala Death Wish or Shaft and that I was, in fact watching what could be referred to as 'the porn'.
Tho' not being 100% sure I bravely soldiered on.
Bobby by now high on the smell of man sweat and piss fumes decides to clean up the urine soaked racist and dunks poor Dallas in a nearby septic tank before bending him (a wee bit like Beckham probably) over a barrel and beating his bare arse with a handy piece of 2x4 that just happened to be lying about in the back yard.
His fun is cut short tho' when the wood breaks, leaving Bobby weapon-less and Dallas with what looks like a bright red baboon bum covered in splinters.
But if he thinks this is as sore as his bottom is gonna get then he's in for a big surprise.
"I love you....could it be magic?" |
Bored with mealy standing back and watching (albeit whilst sitting on Dallas' wriggly pals), Flex and Chris decide it's time to have some fun of their own and drag the three badboys off to bobby's basement games room cum sex dungeon...
From Dick Wadd, the worlds finest purveyor of the oft ignored genre of bareback arse assault comes what will probably go down in cinema history as the greatest (and most successful) attempt to portray the grim reality of racially motivated intolerance ever committed to celluloid.
Utilising the harsh black and white colour palette of both the sets and performers bodies to subtly represent the violent transfer of power between the attackers and the attacked, the film culminates with what is quite possibly the most powerful statement on racism ever seen; the image of the persecuted African American transforming the oppressive white man into his slave.
Then violently bumming him for 40 minutes inbetween forcing him to drink warm urine from a dog bowl.
"Here come the Belgians!" |
As if.
If you really feel you need to see it tho' and want a good excuse, tell your parents/partner/therapist that you're interested in experiencing the final on-screen performance by the legendary Bobby Blake (star of High Rollin': A Black Thang, White Nuts & Black Bolts, Pumping Black: Hold on Tight amongst many others, go on ask your dad for more info who, in his autobiography (that bears the fantastically original title of "My Life in Porn: The Bobby Blake Story", musta taken weeks to come up with that) admits that due to the animalistic intensity of his buggery and pissing scenes that many performers refused to do movies with him, which aided his decision to retire.
Frankly I was terrified enough by the size of his cock.
I mean it was so big it hand an adult knee in the middle.
And a spine.
A spine of a giant.
Any other reasons?
Well it does feature the largest amount of urine ever unleashed in the man of interacial pornography.
Which in itself is frankly spectacular and worth the admission price (and shame filled evenings) alone.
File under 'hide from the babysitter'.
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